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・ Mark Featherstone-Witty
・ Mark Feeney
・ Mark Feldman
・ Mark Feldstein
・ Mark Felix
・ Mark Fell
・ Mark Fellows
・ Mark Felt
・ Mark Feltham
・ Mark Edward Bradley
・ Mark Edward Freitas Ice Forum
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・ Mark Edwards
・ Mark Edwards (boatbuilder)
・ Mark Edwards (British businessman)
Mark Edwards (harpsichordist)
・ Mark Edwards (skier)
・ Mark Edwardson
・ Mark Edwin Robinson
・ Mark Egan
・ Mark Egan (rugby union)
・ Mark Eggleston
・ Mark Ehrenfried
・ Mark Eichhorn
・ Mark Eitzel
・ Mark Elder
・ Mark Elderkin
・ Mark Elia
・ Mark Eliyahu
・ Mark Ella


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Mark Edwards (harpsichordist) : ウィキペディア英語版
Mark Edwards (harpsichordist)
Mark Edwards (born 1986 in Toronto) is a Canadian harpsichordist and organist from Toronto, Ontario. He is first-prize winner of the 2012 Musica Antiqua Bruges International Harpsichord Competition.
==Biography==
Mark Edwards began studying the piano at the age of 11, before turning to the organ at 16, and the harpsichord at 19.
In 2004, he followed piano and organ classes at the Interlochen Arts Academy in Michigan with Thomas Lymenstull and Thomas Bara. He continued with his organ studies with David Higgs at the Eastman School of Music in Rochester, New York, where he also followed courses in organ improvisation and harpsichord with renowned historical keyboards specialist, William Porter. He was organist at the Episcopal Church of the Ascension in Rochester and played continuo at the Eastman School with Paul O'Dette and Christel Thielmann. He graduated as a Bachelor of Music with highest distinction. He completed his further studies with William Porter (organ and improvisation) and Hank Knox (harpsichord) at the Schulich School of Music and the Department of Early Music at McGill University, where in 2011 he obtained Master in organ and harpsichord. He attended master classes with Ton Koopman, Pierre Hantaï, Skip Sempé, Kenneth Weiss, Harald Vogel and Jacques Oortmerssen. In 2012 he continued his studies with Robert Hill at the Hochschule für Musik Freiburg, Germany.
His harpsichord playing has been described in ''La Libre Belgique'' as "bringing the listener to new and unpredictable regions, using all of the resources of his instrument, of his virtuosity, and of his imagination ()."〔Mergeay, M. "(Révolution au concours de Bruges )," ''La Libre Belgique'', 11 August 2012: ''"Sweelinck démarre dans cette sorte d’errance chère à certains, faite de ruptures et de suspensions apparemment arbitraires mais bientôt justifiées : Mark Edwards entraîne l’écoute dans des régions inédites et fantasques, utilisant toutes les ressources de son instrument (lequel connut pourtant des problèmes de justesse), de sa virtuosité et de son imagination, avec la marque - dans l’ampleur du jeu - de l’organiste qu’il est aussi. Bach sera plus édifiant encore, bénéficiant d’un excellent choix d’instrument et mené avec une autorité souveraine. Ovation."''〕 In an interview with the RTBF, the public's reaction is described in the following terms: "I have heard as a reaction in the public, in regards with what you have done tonight at the Bruges competition, Mark Edwards: 'He goes straight to the point.' () He knows what he wants and makes it clearly heard."〔(Interview on RTBF Musiq3 ), 9 August 2012, audio file. Original French: ''"J’ai entendu comme réaction dans le public au sujet de ce que vous avez fait ce soir, au concours de Bruges, Mark Edwards : 'He goes straight to the point.' () Il sait ce qu’il veut et il le fait entendre de manière claire."''〕
In addition to his prize at the Bruges competition, Mark won third prize at the 2012 Jurow International Harpsichord Competition, and second prize in the 2011 Concours d'Orgue de Québec.
He is also a founding member of Ensemble 1729.〔(Ensemble 1729 ).〕 He has appeared on American Public Media's radio program Pipedreams,〔Pipedreams, ("Oh, Canada!" ), aired on 25 June 2012.〕 as well as on La Société Radio-Canada's program Soirées classiques.〔Consult (listings ) for 21 June 2011.〕

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